Estudios sobre teatro hispánico en homenaje a Josep M. Sala Valldaura

This volume presents ten articles devoted to Hispanic theatre. It focuses on a range of studies that go from the end of the Middle Ages to the present day, from liturgical dramatization to the process of transforming a collection of poems into a play, from Argentina and Mexico to the Canary Islands and Majorca. It pays attention to certain works (Davallament de la Creu, the comedies El villano en su rincón, La Varona castellana and El príncipe despeñado by Lope de Vega, the prologues by Antonio de Solís, the Ifigenia by Jovellanos, Nuevo género by Felipe Castañón, Los invertidos by José González Castillo, El alba sobre Sodoma by Pedro Badanelli, Concha Méndez, Y se llamaban Mahmud y Ayaz y Voces en el silencio by José Manuel Lucía Megías, Translucid@ by Elena Guiochins) and deals with different themes and genres such as the spectacular act, the moral anomie, the interlude and the prologue, the carnival, tragedy, metatheater, the sex-generic dissent, children’s theater, the creative process in poetry and theater, transsexuality and transphobia.